Everything below includes clay, tools, glazes and two firings. Wear something you have already given up on.
One evening, six people, three pots. The one to book if you have never touched a wheel and want to find out whether you like it.
Centring, pulling, trimming, handles and glazing across six weeks, with your own shelf and as much practice clay as you can get through.
No teaching, no booking. Pay by the hour, take any free wheel or bench, and get on with whatever you are making.
No wheel at all. Pinch, coil and slab building — the friendliest way in, and honestly where the nicest work comes from.
One adult, one child, one very muddy table between you. Runs on the first and third Sunday of the month.
Up to twelve people, the whole studio to yourselves for three hours, and no obligation to produce anything good. Bring your own drinks and somebody's terrible playlist.
£45 per person, minimum eight. Weekday evenings and Saturday afternoons.
Ask about a date
Two to three weeks. Everything is fired twice and glaze firings run when the kiln is full, which we cannot rush without wasting a lot of electricity.
Everyone is hopeless for the first two hours. That is genuinely the whole point of the taster.
At open studio, yes, as long as it fires to the same temperature as ours. Ask first — a wrong clay body can crack a whole kiln load.
Yes, for any class, valid twelve months. They arrive as a proper printed card rather than an email.
Classes usually fill about three weeks ahead, and the six-week course fills faster than that.
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